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Unfortuitously the contents that are strong into the movie were considered unsuitable for public viewing by the Board, thus the film had been never ever released. Tunde Alabi -Hundeyin's "Iyawo Alhaji" is officially on record because the first commercial (direct to event hallway) movie film to be censored and categorized by the NFVCB in 1994 during the nationwide Theatre, (Cinema Hall) Iganmu. Despite the controversial fire raised, the worldwide publicity directed at "Living in Bondage" over the years invariably imputed the movie into our memory banks as the banner bearer of the house movie revolution of most times. Individuals, irrespective of Nationality, race, gender, and tribe are confronted with challenges on a basis that is daily. Several of those problems are of a nature that is global while some are peculiar to different societies. Films offer individuals the opportunity of telling their stories that are own free of alien disturbance.

go hereNigerian movie producers leveraged on this and produced movies projecting our lifestyle, culture, local fashion, burning problems, dilemmas plaguing our culture, irrespective of the choking stench of tribalism sensed in every sectors. Films had been made for the viewing pleasure of Nigerians initially, (before the mass exportation trend), with communications to inspire, motivate, reprove, and correct anomalies especially within the Political, personal systems, to eschew physical violence and all sorts of types of evil.
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Unfortunately the strong articles projected in the movie were considered unsuitable for public viewing by the Board, hence the movie was never ever released. Tunde Alabi -Hundeyin's "Iyawo Alhaji" is officially in record because the very first commercial (direct to exhibition hall) video movie to be censored and classified by the NFVCB in 1994 during the National Theatre, (Cinema Hall) Iganmu. Despite the controversial fire raised, the global promotion fond of "staying in Bondage" over the years invariably imputed the film into our memory banking institutions since the banner bearer of the Home movie revolution of all of the times. People, irrespective of Nationality, race, gender, and tribe are met with challenges for a daily basis. Several of those issues are of a global nature, while others are peculiar to different communities. Movies offer people the opportunity of telling their stories that are own free of alien interference.

Nigerian movie manufacturers leveraged on this and produced films projecting our life style, culture, regional fashion, burning problems, dilemmas plaguing our society, regardless of the choking stench of tribalism identified in every sectors. Movies had been made for the viewing pleasure of Nigerians initially, (prior to the mass exportation craze), with communications to inspire, motivate, reprove, and correct anomalies specially within the Political, personal systems, to eschew violence and all types of evil.